In Tony Hawk’s book Occupation: Skateboarder he mentions that when his very first pro model was released in 1982 it wasn’t exactly a top seller. Hell, if anything, it was a bottom dweller. To add insult to injury the market for skateboards back then was nonexistent at best, so to not have a remotely popular model translated to mere pennies on the royalty dollar—more precisely, 85 cents, the whopping sum total of which Tony claimed to represent one of his earliest royalty check payments as a paid professional skateboarder.

(EDITOR’S NOTE: Since his last post, Sean had his laptop stolen and lost a lot of his source files. He likely won’t be posting on DIsposable for a while, which gives me the perfect excuse to back populate with his old posts. Back it up Sean!) In 2002 I was contacted by Aaron Meza to whip out a space-filler article for Skateboarder about the Top 12 board graphics that I wish I’d created. Included on that list were the following: G&S Neil Blender Coffee Break, Zorlac John Gibson Cow Skull (the Pushead version), 101 Natas Kaupas Devil Worship, Santa Cruz Jeff Grosso Toy Box, Blind Guy Mariano Accidental Gun Death, Powell-Peralta Steve Caballero OG Dragon, Blind Jason Lee American Icons, Powell-Peralta Mike McGill Skull & Snake, 101 Gabriel Rodriguez Jesus H. Christ, Santa Cruz Rob Roskopp I, Blind Danny Way Nuke Baby, and the very first Santa Monica Airlines Natas Kaupas model.

This past November I ran into Marty Jimenez at the preview opening of the Skateboard: Evolution & Art in California exhibition in Santa Monica, CA. Now unfortunately for Marty, he knows that every single time I run into him I’m going to ask if he’s unearthed his board collection yet. It was, after all, one of the few I never managed to document despite badgering him to no end over the course of putting both Disposable books together. He has a reason—a very good one at that—for not letting me have a photographic crack at his archives, and even though I have no plans for any future books I’m still curious as to what he may have squirreled away during his time at the epicenter of Orange County skateboard production in the ’80s. God help me but shit like this keeps me up late at night.